Jerry Jenkins
How to Write a Complex Bad Guy
Too many novelists create a villain who does bad things because he’s the bad guy. He might as well appear in a melodrama, wearing a black hat and a cape while twirling his handlebar mustache.
But a melodramatic villain is a cliché by definition — predictable, unrealistic, and there just for fun. Hissing at the bad guy when he comes on stage may add merriment, but in serious fiction such characters don’t work.
Creating a realistic, believable villain requires subtlety and genuine motivation.
Enter the character with actions so subtle readers may not even know he’s the villain until he reveals his true colors.
(Note: I use the male pronoun inclusively here to refer to both genders.)
In real life — as it should be in your story — real villains don’t know they’re villainous. They don’t think they’re wrong; they believe their actions are justified.
Villains have reasons for what they do — and sometimes those reasons are good. This doesn’t mean they’re always right, but they can rarely be persuaded they’re wrong.
What is an Anti-villain?
Some — including many experts — refer to such fictitious characters as Antivillains. I don’t.
To me, a villain is a villain, and the more complex you can render him, the better. While the term Antihero is valid and worth studying, I contend that Villain is the right term for your bad guy.
What others may parse as an Antivillain and ascribe to him even more villainous complexities, I would simply call the right kind of villain. So, in this post, we’ll discuss how you can best create a worthy adversary for your protagonist.
The best, most credible villain can be a mostly virtuous, likable antagonist with sometimes even heroic goals, but whose methods are questionable — and ultimately evil.
Their actions sometimes fall into a morally gray category — making the reader wonder whether they are truly well-intentioned or monstrous.
Readers should be able to relate to your villain. He’s believable, his actions (even though bad) are understandable, and his motivations are mostly good — unless they’re not.
Forget Anti-villains: Make Your Villain Complex, Even Likable
Want to really stand a story on its head and compel readers to keep turning the pages? Avoid caricatures and straw men by refusing to paint your villain as all bad.
Too often we see villains who hold the opposite view of, say, a social issue than that of the author or the main character. Fine. That’s a recipe for conflict and tension.
But the mistake is to then make the villain a disgusting human being. Try making him a great spouse and parent, perhaps a helpful, giving person. Someone you’d enjoy being friends with.
Yet, because he’s on the other side of the hero’s issue, he is, indeed, the villain. But the reader likes him!
Don’t we often see this in real life? Someone diametrically opposed to our worldview fights against our worthy cause.
We want to despise them, see them in an evil light. Yet when we meet them, they’re charming. That’s complicated. That’s real life. That makes for a great story.
The villain must still be defeated and right must win out. But not because the bad guy in the story is repulsive. Rather, in spite of the opposite.
That kind of thinking about your villain makes him complex and, frankly, more interesting. It also challenges you to write with more finesse.
The villain’s motivations are good, or at least justified, in his own mind, but in the end, he must fail.
4 Types of Complex Villains
1. Noble
This type acts because he believes duty calls. He’s merely doing what needs to be done. He’s still wrong, of course, but he doesn’t see it that way.
Examples:
• Dracus Malfoy and Regulus Black from the Harry Potter series
• Jesse Pinkman and Mike Ehrmantraut in Breaking Bad
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2. Pitiable
Readers feel sorry for this character because perhaps he didn’t begin the story a bad guy. But in his mind, desperate times call for desperate measures, so he goes all in.
His character arc can be dramatic because often he’s so psychologically damaged that there’s no turning back.
Examples:
• Carrie in Stephen King’s Carrie
• Frankenstein’s monster
• Anakin Skywalker and Darth Vader in Star Wars
• Loki from Thor
• The Master from Doctor Who
3. Well-Meaning