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60-02 5 Ways to Raise the Stakes in Your Scene

Janice Hardy

The worse things get for your character, the better it is for your reader.I love doing terrible things to my characters. I’m a firm believer that whatever doesn’t kill them makes them more interesting. But even I sometimes forget to raise the stakes—or even have stakes—in a scene.I get distracted by the plot, or a world building detail that needs to fit in somehow, or I get caught up in a fun conversation between characters and lose myself in their banter. Anything could cause me to forget to add the stakes, because there’s so much that goes into every scene, it’s easy to miss an important element.But when that element is a core part of keeping readers hooked in the story, it risks ruining a perfectly good scene. 

When the stakes are low, reader engagement also tends to be low.When there’s nothing “bad” hanging over the character’s heads, and there are no consequences for their actions, the plot becomes less important—and less compelling—to readers. Even a well-written scene can lack tension if there’s nothing at stake for the people in that scene.Readers worry when characters they care about are in danger, so they’re invested in the story and their level of engagement is higher. They pay more attention to what’s going on, and anticipate what might happen next, which adds tension and keeps the pace moving.Here are five ways you can raise the stakes in your scenes and keep readers hooked:

 

1. Add a negative change.It doesn’t need to be a big change, either. Little issues can lay the groundwork for a bigger threat, or even start wearing down the protagonist so they’re in a bad place when the Big Bad does appear. Small things going wrong can also signal trouble brewing, and is a useful way to foreshadow a bigger upcoming problem. Consider:A physical change: Maybe a character gets hurt or sick, hindering their ability to physically react or endure what’s to come.An emotional change: Maybe they realize something they wish they didn’t know, or are too emotionally drained to provide support to someone who needs it.An intellectual change: Maybe they’re mentally tapped out and unable to process the threat looming over them, or they have all the wrong information to deal with the problem at hand.

2. Show the cost of failure.

The dreaded and vague “or else” can be very effective in stories where the point is to discoverer what that “big bad consequence” really is. But other stories need specifics to fully understand what’s at stake.Stakes typically have more impact when readers know what price the protagonist and their allies will have to pay if their plans don’t work. So let your characters worry about the risks, and discuss the ramifications for failing. It doesn’t have to be a full blown-out conversation, and even a line or two here and there can be enough to establish why “not failing” is so critical.You can also show the consequences by letting them happen to another, less important character. Maybe the protagonist meets someone who suffered the same potential fate, or gets a glimpse of “the road ahead if they don’t change their ways” in some fashion.

3. Make it personal.Stakes matter when they hurt the characters readers care about, so be wary of having the only stake in the scene be, “random unknown characters will die.” Sure, it’s terrible for those poor characters, but readers don’t know them, so they don’t care.Personal stakes are also easier, because it doesn’t take much to hurt a character readers know well. They already know that character’s weak points and personal struggles. For example, a mother struggling to bond with her child might be devastated by even the smallest rejection from that child. It’s not “the end of the world” to anyone else, but it sure feels like it to her.

 

4. Have something go wrong.It’s easy to get so scope locked on how the protagonist resolves the problem of the scene, that you forget the outcome isn’t guaranteed from a reader’s perspective. Sure, you know it needs to end with X, but they don’t. You write the scene as if that outcome is the only option—and the scene lacks oompf. Events turnout exactly as they’re supposed to.But what happens if it doesn’t turn out that way? How would the scene change if something in the scene didn’t go the way it you planned? Take a few minutes and look at all the possible moments in a scene where things could go wrong, then brainstorm what would happen if one of them did.

5. Give it far-reaching consequences.One pitfall to tweaking the stakes in every scene is that you might inadvertently “make things worse,” but those problems don’t change anything about the story. (Or you might discover that’s what you have now, which is why the stake feel weak.)For example, the protagonist might be at risk for injury, and might even get injured, but it doesn’t affect the outcome of the scene. It doesn’t make it harder to win, it doesn’t show the vulnerability of the character, it doesn’t make them realize they’re in over the heads, or the like. It’s just “they might get hurt,” with no repercussions beyond that. Often, the injury is gone or irrelevant in the next chapter.Not every stake needs to be a story-changer, but don’t just throw a consequence in there that isn’t really a problem.

It’s the “or else” that makes readers worry.Keep the threat that something terrible will happen to the protagonist having over them all throughout the book to keep tensions high and tight.

EXERCISE FOR YOU: Take five minutes and examine your stakes—either the whole novel, or in one of your scenes. Do you have stakes? Do they serve the story or are they just fake problems that vanish when the scene is over? Brainstorm how you might make them stronger, more personal, and do more to affect how the story unfolds.How strong are the stakes in your story?

 


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