Sue Brown Moore
How to Plot an Iconic Scene
Your Readers will Remember Forever
You’re in the right place if you want to:
- Learn how to create iconic story moments
- Understand why these scenes are so powerful
- Know which 3 story elements are critical to plotting a powerful moment
- Stu up your iconic plot moment to cue all the feels without plotting or outlining
What is a grand gesture? It demonstrates:
- The hero is willing to face a fear
- And making a choice to fulfill a need
- that bring them positive change
- on the other parties love language
The requirements for a grand gesture story scene
- the hero realizes what they fear most
- they recognize that pursuing the need is more important than satisfying their want
- they face their growth-relevant fear
- they embrace being vulnerable
- they chose need over want
Then they can communicate their commitment to transformation with a grand gesture
It’s not just about the memorable moment - big, flashy, stands out in your mind
It’s about the Memorable Moment – like the scene from the movie ‘Say Anything’ – Not the Grand Gesture Plot Point
Romance is Optional
The Three Powerhouse Story Elements
- fear
- need
- turning point decision
Plan your grand gesture with a line lib – and start crafting your story without plotting, outlining or writing a synopsis
Why we care about grand gestures?
Great stories are about transformation
- They are about characters: feelings + personal evolution + glimpses of
ourselves
(our grand gesture examples are the movies: Pretty Woman & Avatar)
Pretty Woman: limo scene & Avatar: wheelchair bound war vet)
Story Elements that enable a grand moment
- #1: Fear (the character trait that all other elements are based on)
Fear is a specific experience that the character wants to avoid –
And always rooted in backstory
Edward Lewis (Pretty Woman) - external fear is heights/falling
Internal fear is losing control of his personal life
Used wealth as a shield
Jake Sully (Avatar) – internal fear (early part of movie) is losing sense
of self – craves feeling useful
Internal fear (2nd half of movie): losing newfound/chosen family
Late movie he finds an external cause bigger than himself
- #2: Need: the thing they must do to become their transformed self
Stems from an emotional experience they are lacking that would give them true happiness or peace
Edward Lewis needs to allow himself to be emotionally vulnerable
By valuing people more than wealth
Jake Sully needs to feel part of something special
By protecting the Na’vi from the RDA’s invasion (and bring positive change)
- #3: Turning Point Decision: must be built on fear and need
Three Types of Change Arcs:
Growth – Protagonists
Flat – Supporting Characters
Fall – Antagonist
#3 Turning Point Decision
In the protagonist’s journey, there are four acts with five levels of growth between acts marking the rise and fall between acts
1 – 25%
-- decision based on fear
2 – 0%
-- decision mixed with fear
3 – 50%
-- need recognized and accepted
4 – 75%
-- decision based on need
5 – 100%
The Turning Point Decision is the moment in a character’s growth arc where they actively choose to:
1 Face their dear, and
2 Fulfill their need
3 and try to become a better version of themselves
Note: This is usually paired with a personal risk or sacrifice
The Turning point spring from the fear into the transformation
Example:
Edward Lewis chooses to partner with Mr. Morse
Rather than prey on his company
He sacrifices guarantee profits for financial risk
He sacrifices a decades-long partnership with his head attorney
He drops a toxic relationship that was stunting his growth
Jake Sully chooses to stay on Pandora and become Na’vi
Rather than return to earth for leg surgery
Risks losing his job, his mobility, and his life
Jake’s decision illustrates he recognized the change in himself
How to script a grand gesture
The Grand Gesture Line Lib:
___ (character name) ___ (willing faces this specific …) ___ (… and relevant fear) to (fulfill …) ___ (… this specific need that brings positive change) (in this specific way that speaks to other party’s love language)
Pretty Woman: Edward Lewis faces his fear of heights and climbs the fire escape (her “castle”) to woo Vivian and show that he respects her as a person because HER fantasy is to be rescued by a white night
Avatar: Jake Sully risks death to tame toruk and petition the Na’vi to help them defend their land from the RDA invasion because the coming of Toruk Makto fulfills one of their ancestral prophecies
How to Practice What You’ve Learned
Identify the protagonist’s fear
Figure out their emotional need
Choose the turning point decision
Find the right Grand Gesture
Fill in the Line Lib Template
More Story-smithing
Beef up your hero’s backstory
The Story Snapshot Method
htts://hi.suebrownemoore.com/DW-DL-PS22
online university: Storysmith U
book: Story Snapshot Method